landscape Painting

Lawn Mower Troubleshooting - landscape Painting

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Many of us will be tempted to think that scenery painting is an exact replication of the scenery an artist sees right before him. The exact numbers of physical features such as hills, the exact amount of living features such as plants or humans, and the exact character of abstract elements such as sunlight or rain. This, however, is never the case. Just like any other painting, which involves the artist's personal intuitions, a scenery painting is an expression of what the artist wants to see. And contrary to the beloved reliance that scenery paintings are made outdoors, artists usually prefer to do their work indoors. They usually make rough sketches outdoors, and then fill out the painting more gradually in their studios.

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Lawn Mower Troubleshooting

No matter where they pick to paint, there is one issue they all need to deal with while painting landscapes: depth. How does one show depth on a flat canvas? You will find the use of a winding path, a change in the size of things to make them appear closer or further, the use of overlap, a change in the sharpness of images, or the use of diagonal composition.

George Catlin, Albert Bierstadt and Thomas Moran were three preponderant American painters who used the above techniques to paint magnificent American landscapes. Catlin made two paintings of the same landscape, and called it River Bluffs. He said that these were the toughest paintings he made, because there was nothing in the scenery to arrest the eye, there were just hills hundreds of feet high, covered in green, for about twenty or thirty miles.

Thomas Moran's The Chasm of the Colorado is a huge and very preponderant scenery painting of the Grand Canyon. One look at it, and we might be tempted to think Moran beyond doubt saw this site before him. It was, however, the supervene of a quiet, relentless attempt in the artist's studio, of Moran putting together some small sketches he made while on a trip to the Grand Canyon.

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